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Community choirs are often built with the best intentions: warmth, connection, and belonging. But for neurodivergent singers - including those with autism, ADHD, sensory processing differences, and social anxiety - some of the most common "welcoming" behaviours can actually create the opposite effect. In fact, the things we think are inclusive can feel overwhelming, confusing, or even distressing for neurodivergent participants. The good news? With a few small shifts, your choir can become a genuinely safer, more accessible space for all kinds of minds - without losing its joy and community spirit. Let’s look at five well-meaning habits that could be doing more harm than good, and how you can adapt them with every singer in mind. 1. Your Room Layout Is Loud, Bright and Busy - and It’s Frying Their Nervous SystemThink of the sensory environment in your rehearsal room. Is it:
For a neurodivergent singer with sensory sensitivities, that can feel like being dropped into the middle of a nightclub with no warning. Overhead lights might feel too intense. Echo or background chatter may make it hard to process your voice or instructions. Even smells (perfume, coffee, food) can be overwhelming. What to try instead:
Small changes in the room's sensory design can massively increase access and ease. 2. You’re So Friendly It’s TerrifyingWarmth is great. Enthusiasm is wonderful. But for a neurodivergent newcomer, an over-the-top welcome, complete with cheers, or a crowd of "greeters", can feel like being thrown into the deep end with no life jacket. Some singers may find strong eye contact, hugs, or your come-and-meet-everyone energy genuinely threatening to their nervous system. Others may need time to quietly observe and adjust before engaging socially. What to try instead:
“Friendly” doesn’t have to mean full-volume; safety comes from predictability, not pressure. 3. You Change Things Up Constantly to "Keep It Fun" - but They're Clinging On for Dear Life |
AUTHOREmma Rowland-Elsen is a veteran choral conductor, sound-voice therapist and specialist consultant in choir inclusion and mental health. She also has PTSD. With over a decade of experience in trauma-informed leadership, vocal health and community music, she helps choirs build emotionally-intelligent, accessible, mentally-healthy and artistically-vibrant spaces, for every mind, body and voice. CATEGORIES
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